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Chinese Style Coffee Table, "Material: Black Walnut
Finish: Medium sheen Waterlox (tung oil/linseed oil blend)

I first came to admire the timeless qualities of antique Chinese furniture on a youthful visit to the Philadelphia Art Museum, which has a wonderful collection of Chinese pieces as well as a complete scholar's study. Even in the 16th century, this furniture had a calm, clarity, and beauty of proportion which contrasts with the boxy, fussy, and clumsy European work of the same era. In this piece I tried to capture the strength and serenity of a 16th century original with particular attention to the legs, muscular but graceful. It is by no means a reproduction, however, as the delightfully complex, puzzle-like joinery of the antiques, which is now largely unnecessary thanks to modern glues, would have pushed the cost beyond the reasonable. I'd have liked to try it, though."

Chinese Style Coffee Table, "Material: Black Walnut
Finish: Medium sheen Waterlox (tung oil/linseed oil blend)

I first came to admire the timeless qualities of antique Chinese furniture on a youthful visit to the Philadelphia Art Museum, which has a wonderful collection of Chinese pieces as well as a complete scholar's study. Even in the 16th century, this furniture had a calm, clarity, and beauty of proportion which contrasts with the boxy, fussy, and clumsy European work of the same era. In this piece I tried to capture the strength and serenity of a 16th century original with particular attention to the legs, muscular but graceful. It is by no means a reproduction, however, as the delightfully complex, puzzle-like joinery of the antiques, which is now largely unnecessary thanks to modern glues, would have pushed the cost beyond the reasonable. I'd have liked to try it, though."

Chinese Style Coffee Table

Michael A. Griffin Woodworking  Bethlehem, Pennsylvania

"Material: Black Walnut Finish: Medium sheen Waterlox (tung oil/linseed oil blend) I first came to admire the timeless qualities of antique Chinese furniture on a youthful visit to the Philadelphia Art Museum, which has a wonderful collection of Chinese pieces as well as a complete scholar's study. Even in the 16th century, this furniture had a calm, clarity, and beauty of proportion which contrasts with the boxy, fussy, and clumsy European work of the same era. In this piece I tried to capture the strength and serenity of a 16th century original with particular attention to the legs, muscular but graceful. It is by no means a reproduction, however, as the delightfully complex, puzzle-like joinery of the antiques, which is now largely unnecessary thanks to modern glues, would have pushed the cost beyond the reasonable. I'd have liked to try it, though."

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