This is my interpretation of a '20's era Kay guitar model called the Recording King and I named it after Joseppe Zorzi, the man who designed it. Hand carved plates of Engelman Spruce for the top and fiddleback Oregon Myrtle on the back. Mahogany neck, ebony fret board and tail piece. Hand cut Mother of Pearl fretboard inlays and "double A" logo on the headstock. Myrtle headcap and binding, Nitrocellulose lacquer "tobacco burst" finish.